Around 5ms: Change in tone-color (due to comb-filter-effect) Around 20ms: Almost no audible difference (to my ears) Above 30ms: From here, you can start to hear a difference between the transients of original and delay. Imagine this way: 30ms is the point, where you can just detect a tiny difference between the transients. From there, it increases. So around 70ms, to two signals will seem more separate. Think about it this way: How far from barely noticeable is the gap between the transienst. Or as another approach: Are the two transients seemingly almost overlapping, or are they beginning to feel more seperate (from around 50ms onwards). I'm not yet a full-on pro, still hope this is of more helpful to you than the answer LMQ gave you... Cheers!
Hey everyone, I released a new track today! Thanks for listening, and I hope you enjoy it! Since we're all production nerds here, I'll mention that it was made in Bitwig, which is such an amazing DAW. If you watch the youtube video, I made that in Touchdesigner, which is also a pretty amazing tool, but it's a lot to wrap your head around.
I miss Soundgym Duels, it was my favorite section :( It was so attractive to make match with others Soundgymers. Do you think @Soundgym will reinstate it one day ?
Sharing our new song, co-written and co-produced with the singer Jenny Rudell. Drums are MIDI. I play acoustic and electric guitars, lapsteel, mandolin, electric bass and trumpet. I have mixed and mastered but Jennys ears have contributed as well :)
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