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Jose Ledezma
Jun 07, 20:32 in SoundGym Olympics
Is that a 83 !!!????
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Lio LM
Jun 08, 10:25
@Cindy Preta Oh trop bien, je m'en rappelle comme si c'etait hier 😁
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Romano G
Jun 08, 10:47
😄
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Cindy Preta
Jun 08, 11:13
Without context and past events, it's pointless, but it's funny to remember
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SoundGym
Jun 08, 08:07 in SoundGym Official
@Hamsini Kaushik just uploaded the song 'TOPIC' to the SoundGym Charts.



🎧 Listen and vote now ›
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Hamsini Kaushik
Jun 08, 08:09
This song is about how our life is like a book, it has chapters and the text. But we always struggle to find the topic of our lives. I really hope you all like it :)
what exactly is done to the sound in Stereohead to the right and left channel to make it wide? I asked ChatGPT and recieved a very generic answer, that basically anything could have, so I am asking here.
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Kinsey Nietzsche (author)
Jun 08, 06:17
hmm, somehow I am not convinced …

you are just deffering the question. how then is the already wide sound made in the first place? recording with a stereo mic does not make it (that) wide, you would have to have the mics very wide appart or something, and placing mics wider than a head-width already breaks the spatial illusion—trust me I've, done a thesis on binaural perception
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Kinsey Nietzsche (author)
Jun 08, 06:23
I know how to make sound appear to come from a certain direction: it's a combination of a bunch of bin-aural cues, like delay, volume, applying filters to emulate the earlobe attenuation to name a few, but I have no clue whatsoever how to make it wide, that's why I'm asking.
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BretzL .
Jun 08, 07:56
Like Jay Kay said, any difference can make it wide. It can be volume (which is just Pan, so not relevent in StereoHead), it can be EQ (which is volume, but just on some frequency bands), or it can be de-sync, which is more probable here.
For me, the wideness is made by delaying the left and right channels slightly, for a few ms.
You can check Haas effect online for more info about the process.
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SoundGym
Jun 08, 00:54 in BeatRace
@Ruben Cano is a BeatRace legend - congrats on the win!

Hourly BeatRaces here: https://www.soundgym.co/beatrace/index
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Colin Aiken
Jun 08, 01:48
Excellent!
Congrats @Mykyta Lepyoshkin for winning the Golden Ears Award!
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Lio LM
Jun 06
Congrats Mykyta! ⭐⭐⭐
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Steve Rinaldi
Jun 06
Way to go, Mykyta! Congratulations for winning your Golden Ears!
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Colin Aiken
Jun 07
Fantastic work!
Congrats @Kokoyo Villagomez for winning the Golden Ears Award!
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Colin Aiken
Jun 06
Superior work!
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Lio LM
Jun 06
Congrats Kokoyo! ⭐⭐⭐
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Steve Rinaldi
Jun 06
Kokoyo, congratulations for winning your Golden Ears! Super!
Congrats @Jay Kay for winning the Diamond Ears Award!
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Great job, Jay! O Kay!
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Helmut Mair
Jun 06
Congratulations!
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Cindy Preta
Jun 06
Does any of you have some tips on how to approach Kit Cut?

I'm in the middle of changing the way i play the game. Before i used to just turn the eq off and basically treat it like its Peak Master which makes the game pretty easy. However in hindsight I don't really think thats a very helpful way of approaching the game.

Now I force myself not to swith the EQ on/off and even level 3 feels challenging. Peak master really clicked for me when I learned the distinct vowels of all of the frequency bands. Is there a similar trick i can learn with Kit Cut? Or is it more like an intuition that develops over time?
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Aike East (author)
Jun 06
I just tried this out and cleared a level i was struggling with pretty quickly. Anyone else that uses a similar approach?

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