Anyone else feel like distorted reality is almost impossible with some soundpacks but super easy with others? Does that have to do with the volume differences between the packs? Or are some iterations of the same level just a lot more challenging?
I do not understand how to hear compression. Played the same game 10 times and my score didn't even improve. Does anyone have a link to a video explanation or just some sort of descriptor of what I am supposed to be listening for?
There’s no video that will ever let you hear compression. Videos can explain how it works, sure, but they’ll never give you the ability to actually hear it.
It takes hours and hours of listening, hundreds of SoundGym exercises, and tons of experimenting in your DAW. After many hours of work, days of focus and persistence, you’ll start to feel compression, the difference between an 8:1, 4:1, or 2:1 ratio… an attack of 25 ms vs 50 ms… or a release of 100 ms vs 25 ms.
There’s only one way to get there: listen and practice, practice and listen.
Record a sound yourself or download a stem and play with it a lot with any compressor that came with your DAW. Take your time... Because this things take time!
The High-Pass Filter: What it Does and How it Can Clean up Your Mix
This Tool Fixes 80% of Muddy Mixes
The high-pass filter might be simple, but it’s one of the most important tools in every producer’s arsenal.
It removes low-end clutter, creates space for your bass and kick, and gives your mix clarity and punch.
Our latest article breaks down: - What a high-pass filter actually does - How to use cut-off, slope, and resonance - Creative tricks for mix balance and movement
Hey guys ! I just got here. So glad to join a community with the same goal as mine. These exercises have me realize how much I suck at critical listening. I mean I knew I did, reason why I'm here in the first place but wow.. even stereohead ?? I deadass thought I was good at that 😭 My question to you guys is can I stay steady on these exercises and expect progress any sooner ? Other than these what resources and drills could you suggest for me to get better at every/any aspects of critical listening in our field ?
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