Ok so I cheated at KitKut for a long time because I was switching on and off the cut, so in fact I was playing boost champ instead of kit kut. I realised that and am now trying to detect cut without switching on and off the EQ... And I suck at it n_n Boosted frequencies are IMO pretty easy to detect because you can boost frequencies with your mouth, doing a O shaped type of stuff. But I didn't find a way to relate to cutting, which turns the exercice as a spectrum analysis on my end. It does work a bit because after all those games I tend to know the samples, but it seems to me like a memory game, and I would never be able to apply this in context of a real mix or production.
I'd love some advice on what to listen here, and if there's a trick like the O shaped mouth that helped me figuring out the boost. And if evertything I described seems normal to you, the feedback is welcome as well.
I wish I had better advice but I'm in the same boat. That game is WAY harder to play if you're trying to train your ear rather than max your score lol.
It helps a little if I close my eyes and actively think - if I were mixing this and had only ONE shot to boost something to fix this sound, where would I boost? Maybe that's obvious, but it helps a bit. That's still one of the hardest games for me.
Unfortunately I don't have any advice either, but funnily enough I was doing exactly the same thing until yesterday I had the same realisation that I wasn't learning how to hear cuts. My method now is to turn the EQ off immediately when the sample started and listen until I felt like I have the full picture of the audio in my head. Then I turn on the EQ and try and figure out what's missing.
It had mixed results yesterday, but at least I know I'm actually training the right thing now.
Is it just me or should coins be collected automatically?
Feels sort of like having to go to your boss at the end of every day and say Yes, I want to be paid for today. Not a huge problem but like... why is this necessary?
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May 05, 18:56
May 05, 20:47