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SoundGym
Apr 10, 01:23 in SoundGym Official
Congrats @KC Chee for winning the Diamond Ears Award!
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Mike Mahoney
Apr 10, 14:24
Congrats from a fellow TRE student! Tremendous win!!! 💎💎💎
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KC Chee
Apr 10, 15:51
Thank you guys! I've finally made it!
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Steve Rinaldi
Apr 10, 18:26
And congrats from yet another fellow TRE student, KC! That's awesome!
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SoundGym
Apr 10, 18:00 in SoundGym Official
Congrats @sash ‧₊˚ for winning the Diamond Ears Award!
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Steve Rinaldi
Apr 10, 18:25
Sweet! Way to go, sash, for winning your Diamond Ears!
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Wildan Darmawan
Apr 10, 13:11 in SoundGym Cafe
I’ve been recording vocals with a Shure SM7B, but I’m running into some issues. The recordings often sound peaky, jumpy, and uneven in dynamics, and the frequency balance feels inconsistent from take to take.

Even when I try to fix things in mixing, I run into more problems—for example, if I EQ and cut around 100–200 Hz (even just 2–3 dB), the vocal starts to sound thin very quickly. It’s been pretty frustrating to deal with.

I’ve also tried clip gain, volume automation, and even EQ automation/dynamic EQ, but it still doesn’t sound right or consistent.

I’m wondering if switching to a condenser microphone would improve the overall sound quality and consistency. Would a condenser mic help produce smoother dynamics and a more stable frequency response, or are these issues more likely related to my recording technique, room acoustics, or signal chain?
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Ralph Jebbitt
Apr 10, 13:19
You don't say what environment you are recording in - i would have thought this could have nearly as much impact as the type of microphone. If you are recording in a quiet, well treated room, or vocal booth, I would have thought a condenser mic like a Rode NT-2 might suit things better, but if you are recording in a noisy environment, the Shure will help minimise this - the condenser would pick up everything in the background as well. But I'm no expert.....
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J K
Apr 10, 14:44
It's impossible to say without knowing your exact setup but it's very unlikely gear is your problem.

There's nothing overly dynamic about an SM7B. If anything, a condenser would just exacerbate the problem.

Make sure you're not moving your head around too much, ensure you're not changing your intensity from take to take, measure your distance from the mic (~6in is an ok starting place if you're unsure).

Technique beats gear
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Linda Wagner
Apr 10, 17:22
I agree with JK that technique beats gear. In addition to the things he mentioned the position of the mic within the room can make a difference, particularly if the room is not well treated. Take the time to record from different positions and find the position that minimizes the issues you are experiencing. Having said that, I used to record with the Shure SM7B and didn't experience any of what you are reporting hearing, but upgraded to the Shure KSM32, a condenser mic, and got a much better sound.
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Darth pHrank
Apr 10, 03:46 in SoundGym Cafe
Hey Live Sound engineers...topic for debate. Waves PSE and X- Feedback Back (either with Dante or a Super Rack Server ) vs the Neve 5045 Primary Source Enhancer. What your experience and take aways?
Sidenote...has anyone checked out the Alpha Labs Audio De-Feedback AI plugin?
Love to hear your thoughts!!
Congrats @Daniel Filbert for winning the Diamond Ears Award!
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Colin Aiken
Apr 09, 19:44
Outstanding accomplishment!
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Steve Rinaldi
Apr 09, 20:45
Daniel, that's awesome! Congrats for winning your Diamond Ears!
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Cindy Preta
Apr 10, 00:34
Great job Daniel ! Congratulations 💪💎
@Andrea Biron just uploaded the song 'My Favourite Game ' to the SoundGym Charts. 🎧 Listen and vote now ›
Congrats @Jack Cunningham for winning the Golden Ears Award!
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Colin Aiken
Apr 08
Marvelous work!
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Lio LM
Apr 08
Congrats Jack! ⭐⭐⭐
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Steve Rinaldi
Apr 08
Jack, that's awesome! Congrats for winning your Golden Ears!
How Judas Priest Wrote Metal's Blueprint in Eight Minutes
A nearly 8-minute track from 1975 is trending again because producers keep dissecting its dynamics, dual-guitar architecture, and clean vocal production and still can’t fully explain why it hits so hard. If you’re producing right now, this breakdown shows exactly how tempo restraint, contrast, and arrangement choices create impact without relying on speed or heavy processing.

Read it here: https://www.soundgym.co/blog/item?id=how-judas-priest-wrote-metal-s-blueprint-in-eight-minutes
Congrats @Jay Harper for winning the Golden Ears Award!
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Jay Harper
Apr 08
Thanks, y'all!
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Damian Luber
Apr 08
Hi, I'm still in the process of learnig. It would be nice if I can get some feedback from you on my last production:
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