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Zoe Newton
Mar 24, 15:56 in SoundGym Cafe
Oily
Sup :)

Any advice regarding how to hear the difference in delay times below 40 ms ? I use phase cancelation in the low end as an indicator, but it doesn't seems to be reliable all the time (especilally when there's not much or not a all bass freq in the sound)

Like for example, I just had a choice between 3 vs 7 ms.

Thanks in advance for your lights, much love
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Altyn Legg
Mar 24, 18:21
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Altyn Legg
Mar 24, 18:22
you all are such groteque people
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Altyn Legg
Mar 24, 18:23
oh no!! I don't care!
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SoundGym
Mar 24, 01:21 in SoundGym Official
Congrats @Luca Floyd for winning the Diamond Ears Award!
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Lio LM
Mar 24, 16:20
Congratulations Luca! 🌈🌈🌈
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Steve Rinaldi
Mar 24, 17:50
Way to go, Luca, for winning your Golden Ears!
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Meet Coo
Mar 24, 17:58
absolutely awesome achievement!!!
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SoundGym
Mar 24, 09:14 in SoundGym Official
Congrats @Clément RUIZ for winning the Golden Ears Award!
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Lio LM
Mar 24, 16:20
Congrats Clément! ⭐⭐⭐
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Steve Rinaldi
Mar 24, 17:49
Nice, Clement - keep pushing on to Diamond!
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Colin Aiken
Mar 24, 00:35 in SoundGym Cafe
A little video I put together of our song Glass Parade. Thanks again to my friend and collaborator Magghy Ji
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Cindy Preta
Mar 24, 16:34
What is the story under the song ?
I am on level 27 of Dr. Compressor and am finding it trick to tell which is more compressed - the indicators I was using (like things sounding further, or ambiance getting lounder, or even consistency of the part) are frequently not there. Any suggestions as to what I should be listening for?
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Marquita Sullivan
Mar 23, 19:00
I am WAY behind level 27 and identifying compression is one of the tougher exercises for me. But I'm finding one cue that often works for me, at least with the drums, which is that the pitch in the compressed version seems just a shade under the uncompressed version.
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Stelios Mavroyiannis
Mar 24, 05:10
The description of the game says 'Listen to two sounds - one is more compressed than the other, with very short attack and release for easier detection. Can you identify it?'.
I used to try to hear for more pronounced ambience and room sound but now this feels tricky to me. I'm nearing level 100 and most of the time I rely on transient differences, which is what the description implies we should do. If I pay close attention to the transient of the less compressed version, it is more pronounced, snappier. Conversly, the transient of the more compressed version is smoother, more sanded (to use a woodworking analogy). I mainly focus on the kick, and secondarily on the snare. Sometimes it comes easily, sometimes not, but if I have the patience I usually pass the level.

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