i don't know why the embed code never works (maybe because the track is "private"). The link does work.

Pretty and slow athmosphere :) What i can think of Improvement is Having bigger chords on the strings (maybe some other string layers), automating more stuff to make it less static and mastering it louder.

Thanks @Arthur Reich !

good mix man, this track is fire

Thanks a lot @Felipe Berto !

It is a very charming piece, which has a beautiful color, I like very much the sweetness which emerges from it, and it allows the imagination to express itself. What I like most about the mix is the nice consistent color of the equalization, the softness and the warmth at the same time. The percussion is really nice too with a good dynamic. For my part, as I find it very subtle, I think that this piece does not need more color or dynamics. Maybe just make the transients a bit more discreet sometimes? But very light, it should not be to lose the beautiful harmony =) Congratulations, it's a beautiful work 😍

Good job, Nate! I like how its delicacy can somehow be disturbing. It sounds balanced to me, but I'm no expert on mixing. As a drummer, I think the composition would benefit from a slightly more elaborated drum/percussion line, along with some brush strokes of bass to add different colors to some of the chords.👍

Waou @Lio LM , that's a really thoughtful feedback. This is the first time I share something here, it's overwhelming somehow.
Merci, fellow french musician ;-)

You're welcome, it's a pleasure with such beautiful songs =) Enjoy Music!

Thank you @Cuantas Vacas ! I feel you about the drums' over-simplicity and that it could be more elaborated. What do you mean by "some brush strokes of bass" ? Do you mean that the low end has some room for something more (a cello for example) ?

Hello Nate, I'm giving this tune two big thumbs up, and here come my two objections.

The first, and most important one, is the open hi-hat at 0:23, 0:47, 1:11, and 1:35. It's way, way too loud and I'd consider switching to an entirely diferent sample (or if lowering the midi volume triggers another sample, that could be an option too). The closed hi hats could be backed down a bit too.

The second is that the bassline gets a bit bwoooey at times, if you know what I mean. During the first half it's ok but from 1:11, when it starts playing longer notes it becomes more apparent. You could also try to play around with the sustain a bit. Cionsider adding a bit of sub to it.

Well, I was thinking about some kind of darker, sub-bass, long decaying notes, alternating tonic with non-tonic along the chords...but definitely more synthetic than a cello. Trip-hop would be close to what came to my mind.

I'm not saying the track needs this or that, don't get me wrong 😅 . It's just that your composition somehow inspires my creativity that way.

Great track!🌸

Thank you @Mikael Nyblom, i'm gonna adress those issues when I'll get back to the track.

Thanks @Fritz Dean, Grand Master of Space Pan🙏