profile
SoundGym
Apr 11, 15:30 in SoundGym Official
Congrats @John Torline for winning the Golden Ears Award!
profile
Anje González
Apr 11, 16:26
profile
Lio LM
Apr 11, 17:23
Congrats John! ⭐⭐⭐
profile
SoundGym
Apr 10, 18:00 in SoundGym Official
Congrats @sash ‧₊˚ for winning the Diamond Ears Award!
profile
Colin Aiken
Apr 10, 21:23
Outstanding work!
profile
Lio LM
Apr 10, 21:48
Congratulations Sash! 🌈🌈🌈
profile
Cindy Preta
Apr 11, 16:31
You did it !! Nice work 💎
Congrats @KC Chee for winning the Diamond Ears Award!
profile
Lio LM
Apr 10, 21:48
Congratulations! 🌈🌈🌈
profile
Anje González
Apr 11, 16:28
profile
Cindy Preta
Apr 11, 16:30
Good job man !! 💎
Congrats @Daniel Filbert for winning the Diamond Ears Award!
profile
Cindy Preta
Apr 10
Great job Daniel ! Congratulations 💪💎
profile
Daniel Filbert
Apr 11, 10:07
Thank you guys! :)
profile
Anje González
Apr 11, 16:25
profile
Wildan Darmawan
Apr 11, 09:19 in SoundGym Cafe
For those with experience using Audeze LCD-X, AKG K-872, and Neumann NDH 30, which headphone do you consider most suitable for mixing and mastering in terms of tonal accuracy and translation?

I am currently using the Beyerdynamic DT 1770 Pro for mixing and mastering and am planning to upgrade.

Would upgrading from the DT 1770 Pro make a meaningful difference?
I’ve been recording vocals with a Shure SM7B, but I’m running into some issues. The recordings often sound peaky, jumpy, and uneven in dynamics, and the frequency balance feels inconsistent from take to take.

Even when I try to fix things in mixing, I run into more problems—for example, if I EQ and cut around 100–200 Hz (even just 2–3 dB), the vocal starts to sound thin very quickly. It’s been pretty frustrating to deal with.

I’ve also tried clip gain, volume automation, and even EQ automation/dynamic EQ, but it still doesn’t sound right or consistent.

I’m wondering if switching to a condenser microphone would improve the overall sound quality and consistency. Would a condenser mic help produce smoother dynamics and a more stable frequency response, or are these issues more likely related to my recording technique, room acoustics, or signal chain?
profile
Darth pHrank
Apr 10, 22:41
I do have some experience editing and mixing vocals that were produced with the SM7B, they seem to be quite popular. And, as a disclaimer, I didn't record or produce the content, so my opinion is skewed.

As mentioned above, your room and recording techniques are a big part of the equation. However, I do find that they are gain hoggers, and your pre amp does play a big part of getting the best sound out of them. What interface are you running? And how much pre amp gain does the input channel offer? Does the preamp offer a suitable amount of gain to match the nominal levels the SM7B user manual suggests? Not all pres are the same. And a pit fall I have experienced a client of mine run into, is how high they have to jack up the preamp gain. In this scenario, a lot of unwanted noise was introduced into the recording. Part of the issue is the budget amazon interface, but I strongly believe these are considerations to take into account.
profile
John Greco
Apr 11, 05:30
what are the setting on the back of the mic set to, and what kind (if any) of pre-amp are you using?
profile
Wildan Darmawan (author)
Apr 11, 09:15
I’m running through the SSL 2’s built-in preamps, and on the mic I’ve got the bass roll-off switched on, with everything else set neutral.

Explore New Spaces